A tiny digital photographic utility.
Project description
Anshitsu
Anshitsu is a small digital photographic utility.
It was originally created as a simple retouching tool for batch processing photos from the command line. "Anshitsu" means "darkroom" in Japanese.
The goal is not to replace a full photo editor. Anshitsu aims to provide practical retouching presets that get images roughly 80 percent of the way there with a short command.
Install
Run this command in an environment where a currently supported Python version is installed.
We have tested it on Windows, Mac, and Ubuntu on GitHub Actions, but we have not tested it on Macs with Apple Silicon, so please use it at your own risk on Macs with Apple Silicon.
pip install anshitsu
Usage
It is as described in the following help.
NAME
anshitsu - Process Runnner for Command Line Interface
SYNOPSIS
anshitsu <flags>
DESCRIPTION
This utility converts the colors of images such as photos.
If you specify a directory path, it will convert
the image files in the specified directory.
If you specify a file path, it will convert the specified file.
If you specify an option, the specified conversion will be performed.
Tosaka mode is named after Tosaka-senpai's "Tri-X de banzen"
line from "Kyūkyoku Chōjin R". It aims for a grainy
black-and-white photo look similar to Kodak Tri-X film.
This mode converts the image to grayscale and adjusts contrast.
Use floating-point numbers; values around 2.4 usually work well.
FLAGS
--path=PATH
Type: Optional[Union]
Default: None
Directory or file path. Defaults to None.
-k, --keep_alpha=KEEP_ALPHA
Type: bool
Default: False
Keep the alpha channel. Defaults to False.
--colorautoadjust=COLORAUTOADJUST
Type: bool
Default: False
Correct colors using Automatic Color Equalization. Defaults to False.
--colorstretch=COLORSTRETCH
Type: bool
Default: False
Apply gray-world white balance and color stretching. Defaults to False.
-g, --grayscale=GRAYSCALE
Type: bool
Default: False
Convert to grayscale. Defaults to False.
--orthochromatic=ORTHOCHROMATIC
Type: bool
Default: False
Convert to orthochromatic-style grayscale. Defaults to False.
-i, --invert=INVERT
Type: bool
Default: False
Invert image colors. Defaults to False.
--color=COLOR
Type: Optional[Union]
Default: None
Adjust color. Defaults to None.
-b, --brightness=BRIGHTNESS
Type: Optional[Union]
Default: None
Adjust brightness. Defaults to None.
--sharpness=SHARPNESS
Type: Optional[Union]
Default: None
Adjust sharpness. Defaults to None.
--contrast=CONTRAST
Type: Optional[Union]
Default: None
Adjust contrast. Defaults to None.
-t, --tosaka=TOSAKA
Type: Optional[Union]
Default: None
Use Tosaka mode. Defaults to None.
--outputrgb=OUTPUTRGB
Type: bool
Default: False
Convert a monochrome image to RGB. Defaults to False.
--sepia=SEPIA
Type: bool
Default: False
Colorize a monochrome image with sepia tones. Defaults to False.
--cyanotype=CYANOTYPE
Type: bool
Default: False
Colorize a monochrome image with cyanotype-like Prussian blue. Defaults to False.
--rochester=ROCHESTER
Type: bool
Default: False
Apply a warm color grade inspired by Kodak PORTRA 400. Defaults to False.
--ashigara=ASHIGARA
Type: bool
Default: False
Apply a vivid color grade inspired by Fujifilm Velvia 100. Defaults to False.
--crossprocess=CROSSPROCESS
Type: bool
Default: False
Apply a random cross-process-style color grade. Defaults to False.
--apocalypse=APOCALYPSE
Type: bool
Default: False
Apply a red-orange Velvia 100 cross-process preset. Defaults to False.
--ultramarine=ULTRAMARINE
Type: bool
Default: False
Apply a blue-forward color grade inspired by Kodak Ultramax. Defaults to False.
--roppongi=ROPPONGI
Type: bool
Default: False
Apply a smooth fine-grain monochrome preset. Defaults to False.
--classic=CLASSIC
Type: bool
Default: False
Apply a classic high-acutance monochrome preset. Defaults to False.
-n, --noise=NOISE
Type: Optional[Union]
Default: None
Add Gaussian noise. Defaults to None.
--overwrite=OVERWRITE
Type: bool
Default: False
Overwrite original files. Defaults to False.
--version=VERSION
Type: bool
Default: False
Show version. Defaults to False.
-l, --line_drawing=LINE_DRAWING
Type: bool
Default: False
Convert to a line drawing. Defaults to False.
--posterize=POSTERIZE
Type: Optional[Union]
Default: None
Posterize the image. Defaults to None.
--vignette=VIGNETTE
Type: Optional[Union]
Default: None
Darken image edges with a radial vignette. Defaults to None.
If a directory is specified in the path, an anshitsu_out directory will be created in the specified directory, and the converted JPEG, PNG, and supported RAW images will be stored in PNG format.
If you specify a JPEG, PNG, or supported RAW image file as the path, an anshitsu_out directory will be created in the directory where the image is stored, and the converted image will be stored in PNG format.
RAW images are developed with rawpy before entering the normal Anshitsu processing pipeline. RAW support depends on the LibRaw support available through the installed rawpy version.
Note: Unsupported file formats are skipped during directory processing. If an unsupported file is specified directly, Pillow or the RAW loader will report an error.
Library Usage
Anshitsu can also be used as a small image processing library. The core API is
Processor, which accepts a Pillow Image and returns a processed Pillow
Image.
from anshitsu.image_io import open_image
from anshitsu.process.processor import Processor
image = open_image("input.jpg")
processed = Processor(
image=image,
rochester=True,
vignette=0.4,
noise=2.0,
).process()
processed.save("output.png")
The same API can be used from a web API, a desktop GUI application, or another Python script. The caller is responsible for reading the input image and saving or returning the processed image.
Processing Flow
Anshitsu applies selected operations in a fixed order. When multiple options are specified, this flow defines how they are combined.
flowchart TD
input[Input image] --> alpha[Prepare input]
alpha --> invert[Invert]
invert --> correction[Base color correction]
correction --> colorPresets[Color presets]
colorPresets --> manual[Manual adjustments]
manual --> monochrome[Monochrome presets]
monochrome --> finishing[Finishing adjustments]
finishing --> toning[Toning]
toning --> output[Output conversion]
output --> restoreAlpha[Restore alpha]
restoreAlpha --> saved[Saved image]
alpha -. keep_alpha .-> restoreAlpha
correction --> caa[colorautoadjust]
correction --> stretch[colorstretch]
colorPresets --> rochester[rochester]
colorPresets --> ashigara[ashigara]
colorPresets --> crossprocess[crossprocess]
colorPresets --> apocalypse[apocalypse]
colorPresets --> ultramarine[ultramarine]
manual --> color[color]
manual --> brightness[brightness]
manual --> sharpness[sharpness]
manual --> posterize[posterize]
monochrome --> grayscale[grayscale]
monochrome --> ortho[orthochromatic]
monochrome --> roppongi[roppongi]
monochrome --> classic[classic]
finishing --> contrast[contrast and tosaka contrast]
finishing --> lineDrawing[line_drawing]
finishing --> noise[noise]
finishing --> vignette[vignette]
toning --> sepia[sepia]
toning --> cyanotype[cyanotype]
output --> outputrgb[outputrgb]
Algorithms
The following algorithms are available in this tool.
RGBA to RGB Convert
Converts an image that contains Alpha, such as RGBA, to image data that does not contain Alpha. Transparent areas will be filled with white.
This algorithm is performed on any image file.
invert
Inverts the colors of an image using Pillow's built-in algorithm.
In the case of negative film, color conversion that takes into account the film base color is not performed, but we plan to follow up with a feature to be developed in the future.
colorautoadjust
Applies color correction using the Automatic Color Equalization algorithm described in the following paper.
This process is more time consuming than the algorithm used in "colorstretch", but it can reproduce more natural colors.
(References)
A. Rizzi, C. Gatta and D. Marini, "A new algorithm for unsupervised global and local color correction.", Pattern Recognition Letters, vol. 24, no. 11, 2003.
colorstretch
The "gray world" and "stretch" algorithms described in the following paper are combined to apply color correction.
This process is faster than the algorithm used in "colorautoadjust".
(References)
D. Nikitenko, M. Wirth and K. Trudel, "Applicability Of White-Balancing Algorithms to Restoring Faded Colour Slides: An Empirical Evaluation.", Journal of Multimedia, vol. 3, no. 5, 2008.
grayscale
Convert a color image to grayscale using the algorithm described in the following article.
Note: This article is written in Japanese.
orthochromatic
Converts a color image to orthochromatic-style grayscale.
This conversion darkens red tones and lifts blue tones to approximate the look of older orthochromatic film.
Tosaka mode
Tosaka mode is named after Tosaka-senpai's "Tri-X de banzen" line from "Kyūkyoku Chōjin R". It aims for a grainy black-and-white photo look similar to Kodak Tri-X film.
Use floating-point numbers when using this mode; values around 2.4 usually work well.
When this mode is specified, color images will also be converted to grayscale.
roppongi
Applies a smooth fine-grain monochrome preset inspired by Fujifilm ACROS.
This preset uses a mild orthopanchromatic response, compresses highlights, keeps blacks firm, and adds restrained fine grain.
classic
Applies a classic high-acutance monochrome preset inspired by Kodak TRI-X in Rodinal.
This preset is less aggressive than Tosaka mode. It uses a firm tone curve, visible but restrained grain, mild sharpening, and highlight protection.
outputrgb
Converts a monochrome image to RGB.
rochester
Applies a warm, low-saturation color grade inspired by Kodak PORTRA 400.
ashigara
Applies a vivid, high-contrast color grade inspired by Fujifilm Velvia 100.
crossprocess
Applies a random cross-process-style color grade.
Cross processing can produce unpredictable color shifts depending on film, chemistry, and exposure. This preset intentionally varies the color response each time it runs.
apocalypse
Applies a red-orange cross-process preset inspired by Fujifilm Velvia 100.
This preset leans into the orange-to-red color cast associated with cross-processing Velvia 100. The strength of the red shift varies slightly each time it runs.
ultramarine
Applies a blue-forward consumer color film grade inspired by Kodak Ultramax.
This preset emphasizes blues while keeping reds slightly restrained, with highlight compression to avoid harsh clipping.
noise
Add Gaussian noise.
To add noise, you need to specify a floating-point number; a value of about 10.0 will be just right.
vignette
Darkens image edges with a radial vignette.
To add a vignette, specify a floating-point number between 0.0 and 1.0.
Special Thanks
We are using the following libraries.
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