polysync 0.2.0

Multicam audio sync and director-style auto-edit — align N angles of one event by audio cross-correlation, then cut/PiP them into one MP4. Reversible sidecars, never re-encodes the originals.

polysync

Multicam audio sync + director-style auto-edit. Align N recordings of the same event by audio cross-correlation, then cut or picture-in-picture them into a single MP4 — driven entirely by who's talking.

What makes it different from "yet another sync tool":

• Reversible sidecars, never re-encodes the originals. Sync writes a tiny <input>.sync.json next to each file holding a single offset. A 75-min 4K 3-camera shoot is 250+ GB; baking offsets into re-encoded copies would double that and lose quality. Downstream applies the offset with ffmpeg -itsoffset at consume time. Originals are touched read-only, always.
• Envelope cross-correlation, not raw waveform. Matches the log-energy envelope, which both mics hear regardless of their frequency response — robust even when a second camera's on-board mic sounds nothing like the main one.
• Clock-drift aware. Cheap recorders drift 5–50 ppm; polysync fits the drift across the recording and reports it separately, so long-form lip-sync can correct it while camera-cut editing can ignore it.
• Handles the messy real cases. Auto-picks the loudest audio track (pro cameras often leave track 1 dead), partial-coverage clips that only span part of the session, and independent verification of the result.

Install

pip install polysync          # once published
# or, from a checkout:
pip install -e ".[dev]"

Requires Python ≥ 3.9 and ffmpeg / ffprobe on your PATH (brew install ffmpeg, apt install ffmpeg, …). Python deps: numpy, scipy.

Quickstart

# 1. Sync each angle to a reference camera (writes <file>.sync.json sidecars)
polysync sync  CAM_A.mp4 CAM_B.mxf
polysync sync  CAM_A.mp4 CAM_C.mxf

# 2. (optional) Verify the alignment — re-checks residual independently
polysync verify CAM_A.mp4 CAM_B.mxf CAM_B.mxf.sync.json

# 3. Build an auto-edit decision list (who's on screen each second)
polysync edit  CAM_A.mp4 CAM_B.mxf CAM_C.mxf --out edl.json

# 4. Render — hard cuts, or with a picture-in-picture inset
polysync render-cuts edl.json --out final.mp4
polysync render-pip  edl.json --out final.mp4 --pip bottom-right

A clip that only covers part of the session (a Riverside / phone / lavalier recording that started mid-way):

polysync sync REFERENCE.mp4 PARTIAL.m4a --partial

How it consumes the sidecar

delta_seconds is the source's t=0 in the reference's timeline (positive = source starts later). To align by hand:

ffmpeg -itsoffset $(jq -r .delta_seconds CAM_B.mxf.sync.json) -i CAM_B.mxf \
       -i CAM_A.mp4 -filter_complex "[0:v][1:v]hstack" out.mp4

The edit / render-* commands read every sidecar automatically.

Python API

from polysync import compute_sync           # pure-numpy core, unit-testable
from polysync.sync import sync_files         # file → sidecar
from polysync.verify import verify_files
from polysync.edit import build_edl

Status

Beta (0.1). Sync + verify are battle-tested on real Sony FX3/FX6 multicam interview footage; the auto-edit is audio-energy-driven (no face detection). Issues and PRs welcome.

License

MIT © 王建硕 (Jian Shuo Wang)