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sonilo-cli

Command-line interface for the Sonilo API — generate music and sound effects from text or video.

Install

pip install sonilo-cli

Auth

Set your API key once:

export SONILO_API_KEY=sk-...

or pass --api-key sk-... on any command.

Commands

sonilo account                     # plan limits and available services
sonilo usage --days 7              # usage summary
sonilo text-to-music --prompt "warm lo-fi piano, rain" --duration 30
sonilo video-to-music --video clip.mp4 --prompt "tense synths" --format wav
sonilo text-to-sfx --prompt "glass shattering on concrete" --duration 3
sonilo video-to-sfx --video clip.mp4 --output whoosh.wav
sonilo video-to-sfx --video clip.mp4 --segments @segments.json
sonilo video-to-sound --video clip.mp4 \
    --music-prompt "uplifting orchestral score" --sfx-prompt "match the on-screen action"
sonilo video-to-video-music --video clip.mp4 --prompt "tense synths" --output scored.mp4
sonilo video-to-video-sfx --video clip.mp4 --segments @segments.json --output scored.mp4
sonilo video-to-video-sound --video clip.mp4 --music-prompt "tense synths"
sonilo dubbing --video-url https://example.com/clip.mp4 --languages es,fr --output dubbed.mp4
# writes dubbed.es.mp4 and dubbed.fr.mp4
sonilo tasks get <task-id>
sonilo tasks wait <task-id> --poll-interval 2 --timeout 600

Notes

  • text-to-music / video-to-music stream a short .m4a by default. --format wav, --preserve-speech, --variants above 1, and the legacy alias --isolate-vocals each switch to the async submit-and-poll path.
  • text-to-sfx / video-to-sfx are always async; --format accepts wav|mp3|aac|flac.
  • Output defaults to ./output.<ext>; override with --output.

Segments

--segments scores a timeline instead of one whole-clip prompt. It takes a JSON array, in one of three forms — inline, from a file, or from stdin:

sonilo text-to-music --prompt "warm lo-fi piano" --duration 30 \
    --segments '[{"start":0,"label":"intro","prompt":"airy pads"}]'
sonilo video-to-sfx --video clip.mp4 --segments @segments.json
jq -c '.cues' storyboard.json | sonilo video-to-sfx --video clip.mp4 --segments @-

A value starting with @ names a source to read the JSON from, and @- reads standard input — the same convention as curl, gh and aws. Anything else is parsed as JSON directly.

The two segment shapes are not interchangeable:

Shape Commands Fields
Music text-to-music, video-to-music {start, prompt, label?}
SFX video-to-sfx, video-to-video-sfx, video-to-sound, video-to-video-sound {start, end, prompt}
  • start / end are seconds from the start of the track or clip.
  • Passing one shape to a command that takes the other is rejected before any request is made, with a message naming the shape that command expects.
  • Only the shape is checked locally. Timing rules — the first segment starting at 0, minimum spacing between segments, the label vocabulary, how many segments are allowed — are enforced by the API, which answers with a 422 describing what it rejected.
  • Keys the CLI does not recognise are forwarded as-is, so a newly added API field works without upgrading the CLI.
  • text-to-sfx takes no segments (its output is a single effect, not a timeline).
  • video-to-video-music takes no segments either — the API scores the whole clip in one pass.

Variants

--variants N (1-10, default 1) generates that many distinct variants in one request instead of one, on text-to-music, video-to-music, video-to-video-music, video-to-sound, and video-to-video-sound. Cost scales linearly — --variants 3 costs three times a single-variant request — and values above 1 are never covered by the free trial.

sonilo text-to-music --prompt "warm lo-fi piano" --duration 30 --variants 3 --output take.m4a
# writes take.0.m4a, take.1.m4a, take.2.m4a
  • --variants above 1 forces the async submit-and-poll path (see Notes above).
  • With --variants unset (or 1), a command writes the single --output file exactly as before this flag existed. Above 1, it instead writes one file per variant, with the variant index spliced before the extension: take.m4a becomes take.0.m4a, take.1.m4a, etc. — the same naming --stem and dubbing's per-language output already use.
  • On video-to-sound / video-to-video-sound, --stem is applied per variant too, e.g. take.0.music.m4a.

Scored video

video-to-video-music and video-to-video-sfx are the video-out counterparts of video-to-music and video-to-sfx: same generation, but what comes back is the source picture with the new audio already muxed in, so there is nothing to line up afterwards. Both are async-only and write a single file (default output.mp4):

sonilo video-to-video-music --video clip.mp4 --prompt "tense synths" --output scored.mp4
sonilo video-to-video-sfx --video clip.mp4 \
    --segments '[{"start":0,"end":5,"prompt":"footsteps on gravel"}]' --output scored.mp4
  • --prompt is optional on both; without it the model scores from the picture alone.
  • video-to-video-music also takes --preserve-speech, which keeps source speech in the mix; omitting it leaves the server default untouched. --isolate-vocals is a legacy alias for the same flag — the API ORs the two together, and this endpoint returns one muxed video with no separate vocals stem.
  • video-to-video-sfx takes --segments in the SFX shape {start, end, prompt} — see Segments.
  • Neither command exposes --format: the output is a video, not an audio file.
  • For music and effects in one call, use video-to-video-sound below.
  • video-to-video-music also takes --variants — see Variants above. video-to-video-sfx does not.

Combined soundtracks

video-to-sound and video-to-video-sound score a clip with a music bed and sound effects in one call (one charge, instead of chaining two requests). Both are async-only and take the same options — they differ only in what comes back: video-to-sound writes the mixed audio (default output.wav), video-to-video-sound writes the source video with that audio muxed in (default output.mp4).

sonilo video-to-sound --video clip.mp4 \
    --music-prompt "uplifting orchestral score" \
    --sfx-prompt "match the on-screen action" \
    --output soundtrack.wav --stem music --stem sfx
  • --music-prompt / --sfx-prompt steer the two layers separately; both are optional.
  • --segments places individual effects on the timeline, in the SFX shape {start, end, prompt} — see Segments.
  • --preserve-speech keeps speech from the source video in the mix.
  • Ducking is off by default. Pass --ducking to bring the source video's own speech into the mix with the generated bed dipped under it — without it the result is the generated music and effects alone. Omitting both flags leaves the server default untouched; --no-ducking still works and now just states that default explicitly.
  • --stem is repeatable (music, music_processed, sfx) and saves the individual layers next to the combined output, so you can re-balance the mix yourself. With --output soundtrack.wav, the music stem lands at soundtrack.music.m4a. music_processed exists only when --preserve-speech or ducking altered the music bed.
  • Both also take --variants — see Variants above.

Dubbing

dubbing dubs a video into one or more target languages in a single async call:

sonilo dubbing --video-url https://example.com/clip.mp4 --languages es,fr --output dubbed.mp4
# writes dubbed.es.mp4 and dubbed.fr.mp4
  • --languages is comma-separated; omit it to use the server default zh_cn,es,fr. Supported codes: en, zh_cn, ja, ko, pt, es, de, fr, it, ru.
  • Source videos may be at most 180 seconds long.
  • --output is a filename template, not a single destination: a dubbing task returns one video per language, so --output clip.mp4 writes clip.es.mp4, clip.fr.mp4, etc.
  • Billing is per language, and dubbing has no free trial runs — see Free trial below.
  • --timeout defaults to 7200 seconds, matching the backend's own ceiling for a dubbing job (far longer than other commands' default, since dubbing can run well past the usual tasks wait --timeout 600). If the wait still times out, the task keeps running server-side — resume watching it with sonilo tasks wait <task-id>.

Free trial

Accounts created through self-serve signup start with free runs on most endpoints — no card required:

Free runs Endpoints
2 each text-to-music, text-to-sfx, audio-ducking
1 each video-to-music, video-to-sfx, video-to-video-music, video-to-video-sfx, video-to-sound, video-to-video-sound
0 dubbing

Dubbing bills video duration × number of languages, so a free run on it would be worth far more than a free run on any other endpoint — it has no free allowance and bills from the first call.

The table above is the current default. sonilo account prints the live numbers: the account JSON goes to stdout, and when the account has a free-trial allowance one summary line goes to stderr:

Free trial: text-to-music 1/2 left, video-to-music 0/1 left

Because the summary is on stderr, sonilo account | jq .trial still sees clean JSON.

Once an endpoint's free runs are used up, calls to it bill at the normal rate — or, if the account has never been funded, fail with HTTP 402: ... (trial_exhausted) until a payment method is added. That is the one 402 a retry can never fix.

Rate limits

Two separate limits return HTTP 429, and they want opposite handling. The CLI prints the API's own sentence, so the wording says which one you hit:

sonilo: HTTP 429: Rate limit exceeded: your account allows 60 requests per minute. Please retry after 1 minute. To raise your limit, please contact info@sonilo.com. (rate_limit_exceeded)
sonilo: HTTP 429: Too many concurrent generations: 5 of 5 in progress. Please wait for one to finish before starting another. To raise your limit, please contact info@sonilo.com. (rate_limit_exceeded)

The first means calls are going out too fast. The counter runs on a fixed 60-second window and rejected calls count toward it too, so wait the window out instead of retrying inside it. The second means every generation slot is busy — waiting alone frees nothing, a running generation has to finish first.

sonilo account prints the account's own rpm_limit and concurrency_limit; the numbers above are the standard-tier defaults. Email info@sonilo.com to raise either.

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